Silver Rocket
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jo mě o Savage Republic doma povídala Apačka málem u toho zbourala půl bytu a že prej jestli nepůjdu tak mě podřízne.. no tak du
Bugrr bugrr@centrum.cz
24. 1. 2008, 10:02
SATAN EXISTUJE!
jako je Bůh nademnou
24. 1. 2008, 09:59
ja absolutne nevim o koho de, nicmene zazdit takovouhle kapelu kvuli promoterum by bylo slabomyslny...
-ht-
24. 1. 2008, 09:31
co se divis? prague panika - expati nejchytrejsi na svete
at si to strci vite kam
24. 1. 2008, 08:38
jony, s IMHO jdi IMHO o haje a tem debilum co ten koncert takhle zkurvili patri pestovka
kurva
24. 1. 2008, 08:35
kazdopadne tobe diky moc za info.
-ht-
24. 1. 2008, 01:24
takle neuveritelne SPATNE zpropagovat koncert takhle neuveritelne DOBRY a LEGENDARNI kapely, to je fakt na pres drzku!
-ht-
24. 1. 2008, 01:22
jony: kdo ten koncert dela?? jaktoze o tom nikde neni ani zminka???
-ht-
23. 1. 2008, 23:34
pf 2008 - Silver Rocket
přeje petr "fesha" fenik
p.s. díky za vše-chno(y) v letech 2007, 2006, 2005... tak i v budoucnu 2009, 2010...
přeje petr "fesha" fenik
p.s. díky za vše-chno(y) v letech 2007, 2006, 2005... tak i v budoucnu 2009, 2010...
fesha fesha@centrum.cz
23. 1. 2008, 22:37
Sice na tom koncertu nejsem promotérsky nijak zainteresován, ale myslím, že by bylo škoda, aby zapadnul. V úterý 29.1.2008 od 20:00 v Chateau vystoupí Savage Republic. U nás bohužel ne moc známí, ale imho jedna ze zcela zásadních kapel, na kterou se odvolávají třeba Neurosis nebo Godspeed You! Black Emperor.
"
Los Angeles art-punk pioneers Savage Republic have come roaring out of osbcurity with "1938", their first full-length album of new material in 18 years, hot on the heels of this spring's powerful "Siam" EP, both on Neurot Records.
Throughout the 80's SR was a deep-underground phenomenon, playing highly unorthodox shows in remote desert locations, abandoned factories, skid-row parking lots and grimy bars across the U.S. and Europe with such luminaries as Einsturzende Neubaten, Minutemen, Sonic Youth and Live Skull as well as hardcore-punk slugfests with the likes of Bad Religion, Angry Samoans and Final Conflict. Known for their oddly-tuned guitars, tribal beats, shouted vocals, metal percussion (typically 55 gallon oil drums and items gleaned from dumpsters and junkyards), and Morricone-meets-Dick Dale melodies, their performances were at times ritualistic and occasionally involved fire and explosives. Beginning with the arrestingly aggro 'Tragic Figures" in 1982 on through the wildly diverse experimentations of their final studio album "Customs", recorded while on tour in Greece in 1988, SR produced music that seemed to come from some distant uncharted region. A land at turns harsh and beautiful where elements of Mikis Theodorakis' film scores smashed into 60's psych, tribal punk and oddball Mediterranean folk-pop. Jarringly eclectic, they often sounded like a completely different band from album to album--at times from song to song on the same album. The music was packaged in beautifully distinctive chipboard covers hand printed by noted graphic artist, letterpress printer and band founder Bruce Licher. They even issued their own postage stamps. Then in 1989 everything went quiet as the republic scattered to pursue other interests. After reuniting in 2002 for a brief U.S. tour supporting the boxed-set reissue of their five studio albums by Mobilization Records, several of the members began sharing ideas for new songs, reviving the band officially in 2005.
In their current incarnation Savage Republic core members Thom Fuhrmann, Ethan Port and Greg Grunke are joined by UK punk-rock veteran Val Haller whose resume includes stints with Wayne County & The Electric Chairs, Flying Lizards, Lords of The New Church and X-Ray Spex, and noted drummer and percussionist Alan Waddington, known for his tenure with The Unforgiven as well as live and studio work with everyone from Willie Nelson to Gwen Stefani. The album also features contributions by guest artists including multi-instrumentalist Tara T. Tavi, classical violinist Julia Zuker and drummer Bryan Taylor. In keeping with their tradition of graphic excellence, the album is packaged in a tri-fold cover designed by and featuring the photography of Ramona Clarke-Fuhrmann. While staying true to their roots, SR have updated and expanded their singular Arabic-surf-soundtrack-folk-noise blend into a musical hybrid both contemporary and timeless. Trademark scrap-metal percussion and layers of guitar drone are now joined by spooky ambient textures evoking sonic landscapes exotic, dreamy and sinister."
A na závěr citát Scotta Kellyho z Neurosis:
""Very few artists can stand as being actually
unique. Artists who make sound that fills the holes in your soul that
nothing else touch. Savage Republic is one these very few. As a
founding member of Neurosis I can say that we are very aware and
vigilant of all things that happen around us. There is no tolerance
for disruption in our ritual. For the last 13 years we have played one
band and one band only for our preshow music, Savage Republic is the
soundtrack that sets the tone for whats to come and what existed
before."
http://www.mobilization.c…
http://www.myspace.com/sa…
PS Vím, že by si asi zasloužili větší prostor než Chateau, ale nakonec bud´me rádi že tu budou. :-)
Kapacita je omezena na cca 100 lidí, lístky jsou ode dneška k dostání na baru v Chateau (200Kč). Imho je to jeden z koncertů, který byl bylo trestuhodné vynechat.
"
Los Angeles art-punk pioneers Savage Republic have come roaring out of osbcurity with "1938", their first full-length album of new material in 18 years, hot on the heels of this spring's powerful "Siam" EP, both on Neurot Records.
Throughout the 80's SR was a deep-underground phenomenon, playing highly unorthodox shows in remote desert locations, abandoned factories, skid-row parking lots and grimy bars across the U.S. and Europe with such luminaries as Einsturzende Neubaten, Minutemen, Sonic Youth and Live Skull as well as hardcore-punk slugfests with the likes of Bad Religion, Angry Samoans and Final Conflict. Known for their oddly-tuned guitars, tribal beats, shouted vocals, metal percussion (typically 55 gallon oil drums and items gleaned from dumpsters and junkyards), and Morricone-meets-Dick Dale melodies, their performances were at times ritualistic and occasionally involved fire and explosives. Beginning with the arrestingly aggro 'Tragic Figures" in 1982 on through the wildly diverse experimentations of their final studio album "Customs", recorded while on tour in Greece in 1988, SR produced music that seemed to come from some distant uncharted region. A land at turns harsh and beautiful where elements of Mikis Theodorakis' film scores smashed into 60's psych, tribal punk and oddball Mediterranean folk-pop. Jarringly eclectic, they often sounded like a completely different band from album to album--at times from song to song on the same album. The music was packaged in beautifully distinctive chipboard covers hand printed by noted graphic artist, letterpress printer and band founder Bruce Licher. They even issued their own postage stamps. Then in 1989 everything went quiet as the republic scattered to pursue other interests. After reuniting in 2002 for a brief U.S. tour supporting the boxed-set reissue of their five studio albums by Mobilization Records, several of the members began sharing ideas for new songs, reviving the band officially in 2005.
In their current incarnation Savage Republic core members Thom Fuhrmann, Ethan Port and Greg Grunke are joined by UK punk-rock veteran Val Haller whose resume includes stints with Wayne County & The Electric Chairs, Flying Lizards, Lords of The New Church and X-Ray Spex, and noted drummer and percussionist Alan Waddington, known for his tenure with The Unforgiven as well as live and studio work with everyone from Willie Nelson to Gwen Stefani. The album also features contributions by guest artists including multi-instrumentalist Tara T. Tavi, classical violinist Julia Zuker and drummer Bryan Taylor. In keeping with their tradition of graphic excellence, the album is packaged in a tri-fold cover designed by and featuring the photography of Ramona Clarke-Fuhrmann. While staying true to their roots, SR have updated and expanded their singular Arabic-surf-soundtrack-folk-noise blend into a musical hybrid both contemporary and timeless. Trademark scrap-metal percussion and layers of guitar drone are now joined by spooky ambient textures evoking sonic landscapes exotic, dreamy and sinister."
A na závěr citát Scotta Kellyho z Neurosis:
""Very few artists can stand as being actually
unique. Artists who make sound that fills the holes in your soul that
nothing else touch. Savage Republic is one these very few. As a
founding member of Neurosis I can say that we are very aware and
vigilant of all things that happen around us. There is no tolerance
for disruption in our ritual. For the last 13 years we have played one
band and one band only for our preshow music, Savage Republic is the
soundtrack that sets the tone for whats to come and what existed
before."
http://www.mobilization.c…
http://www.myspace.com/sa…
PS Vím, že by si asi zasloužili větší prostor než Chateau, ale nakonec bud´me rádi že tu budou. :-)
Kapacita je omezena na cca 100 lidí, lístky jsou ode dneška k dostání na baru v Chateau (200Kč). Imho je to jeden z koncertů, který byl bylo trestuhodné vynechat.
jony
23. 1. 2008, 22:32
móc dobrý... hehehe...
zvlášť když používáte nick a cizí email
23. 1. 2008, 21:41
Hm možná stačilo dát odkaz... no nevim, já su z Hané
han
23. 1. 2008, 20:16
KORN
Nikdy jsem je zas tak moc neposlouchal, patří ke kapelám, které mi nevadí poslouchat, ale jaksi nedosáhnu kýženého vyvrcholení, i když jsem v mládí poslouchal i death metal. Někdy se k němu s nostalgií vracím v podobě poslechu „Leprosy“ od DEATH, ale zjišťuji, že v popu nacházím více feromonů.
Nikdy jsem je zas tak moc neposlouchal, patří ke kapelám, které mi nevadí poslouchat, ale jaksi nedosáhnu kýženého vyvrcholení, i když jsem v mládí poslouchal i death metal. Někdy se k němu s nostalgií vracím v podobě poslechu „Leprosy“ od DEATH, ale zjišťuji, že v popu nacházím více feromonů.
to predtim smazte dik
23. 1. 2008, 19:44